ناصر شہزاد کی شاعری میں ہڑپائی تہذیب کے رنگ: ایک تحقیقی جائزہ

The Colors of Harappan Civilization in Nasir Shehzad's Poetry: A Research Analysis

Abstract

Nasir Shehzad, a distinguished Urdu poet born in 1937 in Sheikhupura, Sahiwal, masterfully blends the lyrical essence of ghazal and geet, infusing his poetry with the cultural and aesthetic elements of the ancient Harappan civilization. His works, such as Chand Ki Pattiyan and Ban Baas, reflect a deep connection to the fertile lands of the Ravi River and the historical milieu of the Harappan culture. Shehzad’s poetry vividly incorporates motifs of Harappan artifacts, including terracotta figurines, jewelry like bangles, necklaces, and anklets, and agricultural elements such as crops and rivers, evoking the civilization’s aesthetic and spiritual richness. His verses capture the intricate beauty of Harappan adornments, from kohl-lined eyes to intricately crafted ornaments, symbolizing the timeless allure of femininity and tradition. Additionally, his references to rivers, farming tools, and pastoral life mirror the Harappan reliance on agriculture and trade. Shehzad’s poetry serves as a bridge between ancient heritage and contemporary sensibilities, preserving the cultural legacy of the Indus Valley while enriching Urdu literature. His tragic demise in a traffic accident in 2007 marked the loss of a poet who uniquely wove the Harappan ethos into the fabric of Urdu poetry, making his work a valuable subject for literary and cultural studies.