اسلامی تہذیب و تاریخ میں فنون لطیفہ کے کردار کا جائزہ
An Analytical Study of the Role of Fine Arts in Islamic Civilization and History
DOI:
https://doi.org/10.63878/aaj1348Keywords:
Islamic Art, Fine Arts in Islam, Islamic Aesthetics, Sharī‘ah and Art, Moral Values, Spirituality, Islamic Civilization.Abstract
This article aims to examine the status, scope, and role of fine arts in Islamic civilization and history from an Islamic perspective. It critically analyzes the legal (Sharī‘ah) position of fine arts, their intellectual and spiritual foundations, and their practical applications within Islamic society. The study highlights that Islam does not reject art outright; rather, it regulates artistic expression through ethical, spiritual, and social boundaries to ensure the protection of both individual morality and collective harmony. The research explores the evolutionary stages of fine arts in Muslim societies, focusing on their psychological and social impacts, as well as a comparative analysis of Western and Islamic aesthetics. While Western art often emphasizes sensory pleasure and representational imagery, Islamic aesthetics prioritize spiritual symbolism, abstraction, and moral purpose, shaped largely by the prohibition of idolatry and immodesty. The article further elaborates on the Islamic concept of beauty as articulated by scholars such as Ḥasan al-Bannā, who classified beauty into hierarchical levels, reflecting balance between form and meaning. Islamic aesthetics are shown to be closely linked with fundamental human values, including spiritual, moral, and aesthetic dimensions. The study also discusses the Sharī‘ah-imposed conditions for permissible artistic expression, namely modesty (ḥijāb and restraint), moderation (avoidance of extravagance), and ethical intent (freedom from obscenity and misguidance). By examining artistic practices during various Muslim dynasties, the article demonstrates how fine arts functioned as a constructive force for ethical refinement, spiritual elevation, and social development. Ultimately, the study establishes that Islamic art is not merely a source of aesthetic pleasure but a comprehensive medium for moral and spiritual formation within Islamic civilization.
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